NABI GALLERY, 137 West 25th
Street, New York, N.Y. 10001
Li-lan: Labyrinths
March 4 – May 1, 2004
As the second event in its new Chelsea space, the Nabi
Gallery presented a solo show of recent work by New York artist Li-lan,
titled Labyrinths.
The exhibit includes a selection of her new oil and pastel
paintings, subtle and delicate compositions
that hint of romance, nostalgia, and the lure of the exotic. They are
variations on the theme of envelopes or postcards with colorful, enigmatic
stamps, addressed and postmarked in faraway places. As art critic Peter
Frank suggests in the catalog, these formal elements and the images and
words they contain, arrayed in the self-contained, airy and light-filled
space of the canvas, embody the spirit of adventure, collapsing time and
space into an ongoing montage of associations.
Li-lan’s art, in this critic’s view, introduces
“the sensation of being many places at once—the meta-cubist
condition of comprehending the world as a spannable, available site of
tangentially related experiences, a continuous discontinuity.” She
paints and draws with exquisite deliberation, however, as if to slow down
this dizzying, post-modern world so that its galaxy of sensations can
be tasted.
Li-lan’s pictures, through the juxtaposition of photographic,
intimate subject matter, construct ambiguous and surreal spaces with myriad
shifts in relative position. Postcard or stamp images are interrupted,
folded, floated, or pushed partway off the canvas. An enlarged bug can
wander across a tiny photo of a grand building or Chinese courtyard. The
viewer is invited to a pictorial wonderland to explore its upended sense
of proportion and to play a reading game with the artist.
Li-lan has exhibited extensively in the USA and internationally,
especially in Taiwan and Japan. Her work is in major public and private
collections all over the world, including the Weatherspoon Art Museum
in Greensboro, NC, the Parrish Museum in Southampton, NY, the William
Benton Museum of Art in Storrs, CT, the Virginia Museum of Fine Arts,
the Ohara Museum of Art in Kurashiki, Japan, and the Sezon Museum of Modern
Art in Karuizawa, Japan. She grew up in New York City, daughter of the
acclaimed artist and poet Yun Gee, and continues to live and work here
and in East Hampton, Long Island.
A catalog, jointly produced for the current exhibit and
another held recently at the DoubleVision Gallery in Los Angeles, is available
at the Nabi, as is a newly published collection of writings by Li-lan's
father, Yun Gee: Poetry, Wrtings, Art, Memories (University
of Washington Press).